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Lapdogs

Cowardly and clueless, the U.S. media abandoned its post as Bush led the country into a disastrous war. A look inside one of the great journalistic collapses of our time.

Editor's note: This is an excerpt from former Salon senior writer Eric Boehlert's new book "Lapdogs: How the Press Rolled Over for Bush."

By Eric Boehlert

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Read more: Pundits, Media, Politics, Eric Boehlert, News, Bush, The New York Times, Press, Judith Miller, Iraq War

President Bush with Tony Snow, left, and Scott McClellan, right, in the Brady Press Briefing Room of the White House in Washington Wednesday, April 26, 2006.

AP Photo/Gerald Herbert

President Bush with Tony Snow, left, and Scott McClellan, right, in the Brady Press Briefing Room of the White House in Washington Wednesday, April 26, 2006.

May 4, 2006 | Thirteen days before he announced United States-led coalition forces had begun the war to "disarm Iraq, to free its people and to defend the world from grave danger," President Bush on the evening of March 6, 2003, strolled into the East Room of the White House at 8:02 p.m. for a rare press conference -- just his eighth since taking office. With war looming, the evening was clouded in a strange dynamic. Perhaps trying to shake off allegations of being a cowboy charging towards war, Bush appeared oddly sedate throughout the prime-time appearance, talking slowly and in a pronounced hush. His low-key approach was mirrored by the ninety-four equally somnambulant reporters assembled that night in the East Room who meekly walked through the motions with Bush.

If anxious viewers at home were hoping for some last-minute insight from Bush to help ease their doubts about the imminent war, why it had to be fought now, and why so many of the United States' longtime allies around the world refused to support it, those viewers were likely disappointed as the president stuck to his well-worn talking points ("Saddam Hussein has had twelve years to disarm. He is deceiving people"). And for any viewers who held out hope that members of the assembled mainstream media (hereafter, "MSM") would firmly, yet respectfully, press Bush for answers to tough questions about the pending invasion, they could have turned their TVs off at 8:05 p.m.

The press corps's barely-there performance that night, as reporters quietly melted into the scenery, coming at such a crucial moment in time remains an industry-wide embarrassment. Laying out the reasons for war, Bush that night mentioned al-Qaida and the terrorist attacks of September 11 thirteen times in less than an hour, yet not a single journalist challenged the presumed connection Bush was making between al-Qaida and Iraq, despite the fact that intelligence sources had publicly questioned any such association. And during the Q&A session, nobody bothered to ask Bush about the elusive Osama bin Laden, the terrorist mastermind whom Bush had vowed to capture. Follow-up questions were nonexistent, which only encouraged Bush to give answers to questions he was not asked.

At one point while making his way through the press questioners, Bush awkwardly referred to a list of reporters whom he was instructed to call on. "This is scripted," he joked. The press laughed. But Bush meant it was scripted, literally. White House spokesman Ari Fleischer later admitted he compiled Bush's cheat sheet, which made sure he did not call on reporters from some prominent outlets like Time, Newsweek, USA Today, or the Washington Post. Yet even after Bush announced the event was "scripted," reporters, either embarrassed for Bush or embarrassed for themselves, continued to play the part of eager participants at a spontaneous news conference, shooting their hands up in the air in hopes of getting Bush's attention. For TV viewers it certainly looked like an actual press event.

That was not the night's only oddly scripted moment. Before the cameras went live, White House handlers, in a highly unusual move, marched veteran reporters to their seats in the East Room, two-by-two, like school children being led onto the stage for the annual holiday pageant. The White House was taking no chances with the choreography. Looking back on the night, New York Times White House correspondent Elisabeth Bumiller defended the press corps' timid behavior: "I think we were very deferential because ... it's live, it's very intense, it's frightening to stand up there. Think about it, you' re standing up on prime-time live TV asking the president of the United States a question when the country's about to go to war," she told students at Towson University in Maryland. "There was a very serious, somber tone that evening, and no one wanted to get into an argument with the president at this very serious time."

It's unlikely viewers expected "an argument" that night in the East Room. But what about simply asking pointed questions and firmly requesting a direct response? On March 6, even that was beyond the media's grasp. The entire press conference performance was a farce -- the staging, the seating, the questions, the order, and the answers. Nothing about it was real or truly informative. It was, nonetheless, unintentionally revealing. Not revealing about the war, Bush's rationale, or about the bloody, sustained conflict that was about to be unleashed inside Iraq. Reporters helped shed virtually no light on those key issues. Instead, the calculated kabuki press conference, stage-managed by the White House employing the nation's most elite reporters as high-profile extras, did reveal what viewers needed to know about the mind-set of the MSM on the eve of war.

And for viewers that night who didn't get a strong enough sense of just how obediently in-step the press corps was with the White House, there was the televised post-press conference analysis. On MSNBC, for instance, "Hardball's" Chris Matthews hosted a full hour of discussion. In order to get a wide array of opinion, he invited a pro-war Republican senator (Saxby Chambliss, from Georgia), a pro-war former Secretary of State (Lawrence Eagleburger), a pro-war retired Army general (Montgomery Meigs), pro-war retired Air Force general (Buster Glosson), a pro-war Republican pollster (Frank Luntz), as well as, for the sake of balance, somebody who, twenty-five years earlier, once worked in Jimmy Carter's White House (Pat Caddell).

Battered by accusations of a liberal bias and determined to prove their conservative critics wrong, the press during the run-up to the war -- timid, deferential, unsure, cautious, and often intentionally unthinking -- came as close as possible to abdicating its reason for existing in the first place, which is to accurately inform citizens, particularly during times of great national interest. Indeed, the MSM's failings were all the more important because of the unusually influential role they played in advance of the war-of-choice with Iraq. "When America has been attacked -- at Pearl Harbor, or as on September 11 -- the government needed merely to tell the people that it was our duty to respond, and the people rightly conferred their authority," noted Harold Meyerson in the American Prospect magazine. "But a war of choice is a different matter entirely. In that circumstance, the people will ask why. The people will need to be convinced that their sons and daughters and husbands and wives should go halfway around the world to fight a nemesis that they didn't really know was a nemesis."

It's not fair to suggest the MSM alone convinced Americans to send some sons and daughter to fight. But the press went out of its way to tell a pleasing, administration-friendly tale about the pending war. In truth, Bush never could have ordered the invasion of Iraq -- never could have sold the idea at home -- if it weren't for the help he received from the MSM, and particularly the stamp of approval he received from so-called liberal media institutions such as the Washington Post, which in February of 2003 alone, editorialized in favor of war nine times. (Between September 2002 and February 2003, the paper editorialized twenty-six times in favor of the war.) The Post had plenty of company from the liberal East Coast media cabal, with high-profile columnists and editors -- the newfound liberal hawks -- at the New Yorker, Newsweek, Time, the New York Times, the New Republic and elsewhere all signing on for a war of preemption. By the time the invasion began, the de facto position among the Beltway chattering class was clearly one that backed Bush and favored war. Years later the New York Times Magazine wrote that most "journalists in Washington found it almost inconceivable, even during the period before a fiercely contested midterm election [in 2002], that the intelligence used to justify the war might simply be invented." Hollywood peace activists could conceive it, but serious Beltway journalists could not? That's hard to believe. More likely journalists could conceive it but, understanding the MSM unspoken guidelines -- both social and political -- were too timid to express it at the time of war.

To oppose the invasion vocally was to be outside the media mainstream and to invite scorn. Like some nervous Democratic members of Congress right before the war, MSM journalists and pundits seemed to scramble for political cover so as to not subject themselves to conservative catcalls. One year later, a pro-war writer for Slate conceded he was "embarrassed" by his support for the ill-fated invasion but he insisted, "you've got to take risks." But supporting the war posed no professional risk. The only MSM risks taken at the time of the invasion were by pundits who staked out an unambiguous position in opposing the war. Bush's rationale for war -- Saddam Hussein, sitting on a swelling stockpile of weapons of mass destruction, posing a grave and imminent threat to America -- turned out to be untrue. And for that, the press must shoulder some blame. Because the MSM not only failed to ask pressing questions, or raise serious doubts about the White House's controversial WMD assertion, but in some high-profile instances, such as with Judith Miller's reporting for the New York Times, the MSM were responsible for spreading the White House deceptions about Saddam's alleged stockpile; they were guilty of "incestuous amplification," as former Florida senator Senator Bob Graham called it. Being meek and timid and dictating administration spin amidst a wartime culture is one thing. But to be actively engaged in the spin, to give it a louder and more hysterical voice, is something else all together. In fact, the compliant press repeated almost every administration claim about the threat posed to America by Saddam. The fact that virtually every one of those claims turned out to be false only added to the media's malpractice.

And when not playing up the threat of WMDs in 2002 and 2003, the press was busy playing down the significance of peace activists and war doubters, as the MSM instead handed over the press platform at times exclusively to pro-war drum beaters and government talking heads. The White House could not have asked for more. Of course, by March 2003, the White House had already become accustomed to having a compliant press diligently detail each and every one of the administration's War on Terror warnings, warnings that played to Bush's political strength by casting him as a wartime leader and warnings that almost always fell into the less-than-meets-the-eye category. The often overblown MSM reporting on terror threats, fed directly from the White House, segued right into the overblown reporting on Saddam's deadly arsenal, also fed directly from the White House. The latter would not have been possible without the former. The press's timid War on Terror coverage foreshadowed its timid WMD coverage.

As Washington Post ombudsman Michael Getler later wrote, the MSM's performance in 2002 and 2003 -- its inability and refusal to demand sharp answers to difficult questions about prewar intelligence -- likely represented their most crucial newsroom failing in nearly half a century. "How did a country on the leading edge of the information age get this so wrong and express so little skepticism and challenge?" asked Getler. "How did an entire system of government and a free press set out on a search for something and fail to notice, or even warn us in a timely or prominent way, that it wasn't or might not be there?" The single-word answer is, timidity.

Looking back, bigfoot journalists conceded they failed to do their jobs during the run-up to war. ABC's Ted Koppel admitted, "If anything, what we've been criticized for, and probably more justifiably, is that we were too timid before the war." Dan Rather agreed: "We did not do our job of pressing and asking enough questions often enough." They weren't the only ones disappointed. A majority of Americans thought the news media could have done a better job informing the public about Iraq and the stakes involved in going to war, according to an August 2005 survey conducted by the McCormick Tribune Foundation in Chicago.

While some journalists admitted their mistakes, most refused to admit it was political pressure from the right and a fear of being labeled unpatriotic that fueled the timidity. Instead, journalists offered up head-scratching explanations for their timorous prewar performance. PBS's Jim Lehrer suggested journalists just weren't smart enough to have foreseen all the troubles that would plague Iraq following the invasion. Appearing on MSNBC's "Hardball," Lehrer was asked by host Matthews about the press's wartime performance. Matthews noted, "During [the] course of the war, there was a lot of snap-to-it coverage. We' re at war. We have to root for the country to some extent. You' re not supposed to be too aggressively critical of a country at combat, especially when it's your own." Matthews asked Lehrer if he thought the press had failed to provide "critical analysis" in the months before the war.

Lehrer: I do. The word "occupation," keep in mind, Chris, was never mentioned in the run-up to the war. It was "liberation." So as a consequence, those of us in journalism never even looked at the issue of occupation.

Matthews: Because?

Lehrer: Because it just didn't occur to us. We weren't smart enough to do it. I agree. I think it was a dereliction of our -- in retrospective.

It never occurred to journalists that the United States might have to effectively occupy Iraq in the wake of the invasion? That's just not believable. It's far more likely journalists were too anxious to express their doubts during the drum-beating of early 2003. Lehrer later returned to the topic, suggesting even if journalists had been smart enough to figure out the occupation angle, it still would have been hard to report it out:

Lehrer: It would have been difficult to have had debates about that going in, when the president and the government of the -- it's not talking about "occupation." They're talking about -- it would have been -- it would have taken some -- you'd have had to have gone against the grain.

"Could 'courage' be the word Lehrer sought?" asked the Daily Howler. "Did he want to say: 'It would have taken some courage' " for the nation's press to have gone against the grain.

Equally odd, Washington Post columnist David Ignatius, looking back on the press's failings with regards to Iraq, suggested, "The media were victims of their own professionalism. Because there was little criticism of the war from prominent Democrats and foreign policy analysts, journalistic rules meant we shouldn't create a debate on our own."

Little criticism of the war from prominent Democrats? In a sense, Ignatius was right and for Post readers that statement may have had a ring of truth to it simply because the Post seemed to do such a masterful job of ignoring prewar criticism from prominent Democrats, like party stalwart Senator Ted Kennedy. In September 2002 he made a passionate, provocative, and newsworthy speech raising all sorts of doubts about the war. It garnered exactly one sentence -- thirty-six words total -- of coverage from the Post, which in 2002 printed more than a thousand articles and columns, totaling perhaps 1 million words about Iraq, but only set aside thirty-six words for Kennedy's antiwar cry. As for Ignatius's suggestions that journalists were supposed to wait to be signaled by the political parties before leaping into action -- that reporters and pundits couldn't raise doubts about the war because Democrats, supposedly, were not -- that represented an entirely new standard for news gathering. Or did Bob Woodward and Carl Bernstein wait for Democrats to raise doubts about Watergate before the duo started making calls?

Next page: MSNBC canned antiwar Phil Donahue, worried about looking out of step "at a time of war"

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