It takes some doing to get past a wretched opening lyric like "I fell into the well/I fell through hell," set to a portentous minor key melody, although I suppose Logh, being Swedish, should be cut a little slack on the dopey English rhymes. Regardless, they compensate with the skill and subtlety of the song's arrangement and performance, a live take with just two guitars, bass, drums and no discernible effects, woven together with fluid intricacy, but with no unnecessary trickiness.
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