How "Physical: 100" should level up in light of its anticlimactic finale

The referees are there for a reason, but the "Physical: 100" officials weren't consistent with their rulings. For instance, in the game where teams of two had to laboriously flip over each other's tiles by hand, Jung stepped on his tiles, thereby preventing his opponents from flipping his. Clever? Maybe. Fair? Nah. But the refs didn't utter a peep.

 

Compare this to the one-on-one gladiator deathmatch, which was a combo of mud wrestling and tackle football, with the winner being the last athlete holding on to the ball. In one face-off, prison guard Park Jung-ho used his height advantage to place the ball on the second-level balcony, just out of freestyle wrestler Nam Koung-jin's reach. But the ref called a penalty and gave the ball to Nam, citing that the ball was out of bounds. So. What? Park didn't hide the ball in the commissary. It was literally within reach . . . for him. Had Yang Hak-seon – who was South Korea's first Olympic gold medalist in gymnastics – been competing, I know he could've shimmied up somehow to grab that ball, despite being one of the shortest competitors there. 
 

The question of fairness is questionable anyhow, because while the show's conceit revolves around the kumbaya notion of any of the 100 competitors being able to grab that prize money, the reality is that the challenges were often designed to benefit the buffer male athletes.

"Physical: 100" is capable of designing challenges that are fair for a range of abled body types. For example, in the first challenge, all the contestants hung using only their arms from a scaffold high above a pool of water. Inevitably it was the bodybuilders and muscle-heavy players who dropped first. Bulging biceps didn't matter as much as determination and overall core strength here.

 

Similarly, a revival quest giving ousted players a chance to reenter the contest challenged them to keep plaster torsos that were exactly 40% of their body weight aloft using a rope and pulley. Failure meant their torsos plummeted to the ground and shattered (forcing them to permanently leave the competition). One winner here was Shim Eu-ddeum, a female exercise YouTuber, whose slight build belied her power, determination and focus. In both of these challenges, the contestants were tested with weight (literally their own) proportional to their size. 
 

Which leads to my next suggestion. In sanctioned sporting tournaments, it's the norm to break up groups by weight class so that a 100-pound athlete isn't pitted against a 200-pound behemoth. "Physical: 100" should keep that in mind when trying to craft truly fair challenges that involve size and strength. On the show, sometimes contestants were able to choose their opponents in head-to-head matchups. While most attempted to pair up with someone their own size, then you'd have MMA fighter Park Hyung-geun, who selected female bodybuilding Kim Chun-ri, because he theorized that it will be easier to beat a buff woman than a man his size. And he was right. He dominated his gladiator challenge while humiliating his opponent.

 

We can go on and on about challenges that should've divided efforts by weight class: the team challenge to shift a 1.5 ton ship; the Atlas punishment in which contestants shouldered an approximately 110-pound boulder; the five-way tug-of-war with vastly varying body sizes. When faced with opponents larger themselves or shifting objects that were proportionally heavier for the women than the men, guess what? The women were left at a disadvantage.

 

South Korea is a homogenous country with foreigners accounting for 2.3% of its population, but at least 4% of the cast was comprised of foreigners: two white men, a Black man and a female actress from Singapore. (I'm not including MMA god Choo Sung-hoon, who was raised in Japan but is ethnically Korean.) I have no issue with this, because with the exception of bland baseball player Dustin Nippert, they were a fun inclusion. But – with South Korea's population split almost equally between men and women, why were only 23% of the competitors female? Honestly? It felt like the show wanted the final matchups to be brutal thrillers between the men and they only included women so they wouldn't get accused of being sexist.

 

Listen, I get that there is a size difference (see my previous suggestion). But Jang Eun-sil, a member of the South Korean national women's wrestling team, was one of the show's most popular contestants because she continued to defy expectations until sexism conspired against her in the challenge that required the most muscle. Why not equalize the playing field by getting rid of some of the cavemen strength-based challenges and replace them with skill-based sports? Archery could be one way to go.

 

The South Korean national archery team has won gold medals at every Olympics since 1984. Anyone who has watched the zombie K-drama "All of Us Are Dead" knows exactly how important archers are when it comes to saving humanity. One of the "Physical: 100" contestants who lost early in the competition was the nimble Jeon Young, whose zombie choreography work on "Train to Busan" (as well as "Kingdom" and "Hellbound") presented the undead not as lumbering creatures that even the slowest of us could escape from, but as wickedly fast and terrifyingly twisty beings. Imagine one of the muscle-bound weightlifters trying to hit him with a suction-cupped arrow. I guarantee you they couldn't!

 

And before you laugh and say, "No, that's not real sports!" let me remind you that the five-man tug of war wasn't much different in theory from an episode of the Korean variety show "Running Man" that aired three months before "Physical: 100" made its debut. And the "Running Man" players – which included BTS vocalist Jin – did it on a soaped-up floor which made their challenge more difficult, if you ask me. The thesis of "Physical: 100" (and yes, I'm laughing, too) is picking the most fit physique in all of South Korea. And the fittest body isn't necessarily the one with the biggest bulging muscles.

There's been so much social media chatter about how refreshing it is to see good sportsmanship played out on this series. And I suppose it is refreshing, if you believe what they're saying. I do, but I don't, meaning that Koreans generally are polite to each other, especially when they're in a public forum. But would the public perception be different if they subtitled all the profanities throughout the series? Because there's a lot of them. There is a liberal use of F-bombs throughout each episode, and I do think that including that foul language lends authenticity by revealing the stress these competitors are under. Besides, who hasn't cursed under pressure?

 

As long as we're showing the ugly side of competition, let's turn to injuries. One contestant said that ambulances picked up players every half hour. I'm only being partially facetious when I say there's some consolation that no one was seriously maimed on "Physical: 100" – outside of fractured ribs, torn ligaments, damaged ankles and a temporarily paralyzed arm – because the show was clearly set up to give off a similar vibe as the fictional "Squid Game," where the only one leaving the arena with any money was the last person who didn't die.

 

Throughout this very strenuous series, I couldn't stop thinking about Taiwanese Canadian actor and model Godfrey Gao. In 2019, the physically fit celebrity collapsed while filming the Chinese reality show Chase, where contestants competed in physical challenges. Gao, 35, died from cardiac arrest a few hours later. Also, early reports about the filming of "Squid Game: The Challenge" – Netflix's reality series based on "Squid Game" – indicate that the players were misled about what the requirements of being on the show were. They had to compete outside in freezing weather for seven hours, instead of the promised two. While this is far better than the rumored on-set injuries, it would be better to be upfront about what conditions and challenges contestants will face.

 

On "Physical: 100," showing when and how a contestant is injured would go a long way for transparency – not only to build viewer trust, but also to demonstrate just how tough the competition is. If these athletes are putting their bodies on the line, let's see that because our respect for their fortitude will only grow. Also, we as viewers will understand and respect how grueling these challenges are (and maybe not try them at home or unsupervised). And maybe if the show is upfront about injuries, they'll be held more accountable to making the games safer.

 

So let them curse! Let us see when they get hurt! Put the "real" in reality as much as you can, so we can see these contestants as flesh and blood people, not muscled machines.

 

Stop with the multiple replays from different angles that add absolutely nothing to anything. This is something Korean variety programs do all the time. Maybe it's to add drama. Maybe it's to pad the show with filler. But it grows old fast. 

 

"Physical: 100" would also benefit from more consistent editing. The concept of the show is that once you lose, you break your own plaster bust and leave the arena, because you are a LOSER! Fine. But during the gladiator challenge we often saw that same person (who supposedly just lost and left) still in the arena cheering, as if they hadn't been handed a defeat. This is a reminder that editing is an art form that plays a vital part of the narrative.

 

Personally, I thought it was a nice touch to have the players cheer on the others – but from the eliminated sidelines, not as contestants who haven't yet competed. It was wild seeing reality series veteran Cha Hyun-seung ("Singles Inferno") tend to his broken ribs while drinking a beer as he watched the final competitors.

 

And finally, I loved the up close and personal segments on wrestler Jang Eun-sil, skeleton Olympic gold medalist Yun Sung-bin, and MMA legend Choo Sung-hoon . . . none of whom were the final two competitors. We got to know these players partly because they were already famous before the show and partly because "Physical: 100" decided to feature their stories more thoroughly. With Netflix producing this series, it was obviously aimed at an international market. And let's be honest – only a fraction of the viewing audience knew who any of these contestants were before we were told who they were via the storytelling.

 

That's why it's so frustrating that the series showcased the same players over and over even though production had ample time to highlight some of the other athletes. Taekwondo teenager, I wanted to know more about you! Cheerleader, I don't know when you left the show, but it was probably early on. And it would have been so nice to get a sense of who CrossFit athlete Woo Jin-young and cyclist Jung Hae-min were prior to their being pitted against each other so that we could root for them to reach the finale. 

 

As long as we're getting to know them, why not spend a little more time with deeper storytelling – not just about the glory or winning, but what happens if they lose? The agony of defeat, as they used to say on ABC's "Wide World of Sports." How will the prison guard's loss impact his alpha status at work? Will the fitness influencers gain or lose followers after their cuts? Did runner-up Jung receive a consolation prize? Actually, did any of the contestants besides Woo receive any kind of compensation for appearing on the hit show or did they participate for the exposure (cough, cough) of being on a Netflix series? 

 

Sure, this show is about physicality, but for us to really care, appeal to our emotions too. And that comes with great, multidimensional storytelling – of both the star champions and the underdogs who were gone too soon.