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Annie Zaleski
(page 9)
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“I’m feeling my way through the dark”: Grant-Lee Phillips on writing songs as a reflection of life
Annie Zaleski
“It’s really terrifying”: Lizz Winstead on stealth antiabortion laws and fighting politicians in “their last grasp of hanging on to unearned power”
Annie Zaleski
R.E.M.’s leap of faith: 25 years later, every curveball on “Out of Time” makes perfect sense
Annie Zaleski
Taylor Swift is everything that’s wrong with the Grammys and the music industry: Sanitized, self-congratulatory and safe
Annie Zaleski
Why “Pretty in Pink” endures: John Hughes’ classic is more than just another teen movie
Annie Zaleski
“Gilmore Girls” town troubadour Grant-Lee Phillips will return to Stars Hollow: “It was such a subversive show”
Annie Zaleski
How Coldplay became cool: Haters keep saying they’re too soft, too earnest, too dorky — and they still don’t care
Annie Zaleski
Bernie bros, stop this meme: Your dumb joke about Hillary’s music taste isn’t funny — it’s predictably sexist
Annie Zaleski
“Boys for Pele” turns 20: Revisiting the year when Tori Amos truly came into her own
Annie Zaleski
On life, death and love, Savages offer no easy answers: “To keep the ambiguity and the tension has been an intention”
Annie Zaleski
Wow, you hate the f**king Eagles: When uncool celebrities die, jerks just can’t help themselves
Annie Zaleski
A David Bowie for every mood: From “Space Oddity” to his farewell “Blackstar,” Bowie’s shape-shifting always felt right
Annie Zaleski
Guns n’ Roses reuniting, all grown up: How trading rock debauchery and drama for stability and unity will pay off
Annie Zaleski
The lost pop genius of Scott Miller: “Whatever makes you fall in love with a pop song … he did that”
Annie Zaleski
“This is why people are panicking here”: Björk takes on an “extreme right-wing redneck government” to preserve Iceland’s open spaces
Annie Zaleski
Trent Reznor was robbed: Nine Inch Nails’ Rock Hall snub proves electronic music still doesn’t get respect
Annie Zaleski
“Come from nothing, blow up and die”: Reflections on Scott Weiland dig into the self-destructive rock star myth
Annie Zaleski
Playing by Johnny Marr’s rules: “I love living in the modern world, but I just don’t accept a laptop as being a band member”
Annie Zaleski
Stop hating on Christmas music: The only thing more predictable than yet another Wham! cover is the backlash
Annie Zaleski
Free Kesha now: Sony is forcing her to work with her alleged abuser — or she doesn’t work at all
Annie Zaleski
Grimes isn’t a novelty act: Maybe we’ll see more female producers when we stop treating them like kooky freaks
Annie Zaleski
The Adele factor: What the phenomenal success of “Hello” could mean for Apple Music, Spotify and good old-fashioned cd sales
Annie Zaleski
The Hillary and Katy power alliance: Their savvy blend of pop and politics could be a game-changer for both
Annie Zaleski
The genius of “Gilmore Girls”: When your writing is this good, you can always go home again — even to Stars Hollow
Annie Zaleski
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