Coleman Spilde (page 5)

Email: coleman.spilde@salon.com

Twitter: @colemanjspilde

Coleman Spilde is a senior staff culture writer and critic at Salon, specializing in film, television and music. He was previously a staff critic at The Daily Beast, and in addition to Salon, his work has appeared in Vulture, Slate, and his newsletter Top Shelf, Low Brow. He can be found at the movies.

The End

Tilda Swinton brings stunning heart to "The End," an apocalyptic movie musical for our time Coleman Spilde

Nightbitch

Amy Adams thrives in movies like "Nightbitch," even if they don't win her an Oscar Coleman Spilde

Valerie Bertinelli

"I love my body as it is": Valerie Bertinelli slams critics of underwear selfie Coleman Spilde

Disney+ sued by Marian Price over IRA murder portrayal in "Say Nothing" Coleman Spilde

Victor Willis of Village People

"Completely misguided": Village People singer denies "Y.M.C.A." is a gay anthem; defends Trump use Coleman Spilde

Our Little Secret

Lindsay Lohan's renaissance should be bigger than Netflix original movies Coleman Spilde

Elton John

With impaired vision, Elton John couldn't see opening night of his new West End production Coleman Spilde

Queer

In "Queer," Daniel Craig is blisteringly beautiful as he falls for love's devastating power Coleman Spilde

Wicked

"Wicked" is a bewitching spectacle that smartly probes who has power in a beloved fairy tale Coleman Spilde

Kathy Griffin

Kathy Griffin’s comeback wins the night at Carnegie Hall, despite Trumpian turbulence outside Coleman Spilde

Anora

In "Anora," director Sean Baker paints a dazzling portrait of love, loss and self-discovery Coleman Spilde

Maria

Angelina Jolie shines in "Maria," with a star power too grand for CGI constraints Coleman Spilde

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