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‘Dark’ Personalities Drawn to BTC
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Melanie McFarland
(page 39)
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“The Morning Show” delivers an empty on-air moment that could take pointers from Amber Ruffin
Melanie McFarland
“Cowboy Bebop” is an off-key adaptation that captures the jazzy color but not soul of the original
Melanie McFarland
HBO Max’s “The Sex Lives of College Girls” is less erotic and more awkward than its alluring title
Melanie McFarland
Paris Hilton is her own purse dog – why even the socialite struggles with her engineered image
Melanie McFarland
“Yellowjackets” is a fantastic, terrifying plummet into the darkness of female desire and rage
Melanie McFarland
“The Morning Show” looks at how consequences catch up to some people sooner than others
Melanie McFarland
“The Shrink Next Door” is a compelling stranger-than-fiction anchored by Paul Rudd and Will Ferrell
Melanie McFarland
Thanks to its stars, “Passing” is a masterpiece of subtle expression, rendered in black and white
Melanie McFarland
“Ferguson Rises” explains why America needs its modern civil rights movement through a father’s eyes
Melanie McFarland
“Dexter: New Blood” is less of a revival than another stab at a satisfying closure
Melanie McFarland
“Four Seasons Total Documentary” captures the Trump campaign’s emperor-has-no-clothes moment
Melanie McFarland
The “Ted Lasso” way to make shortbread fit for “Biscuits with the Boss”
Melanie McFarland
“The Morning Show” finally finds its raison d’etre as a satire about workplace toxicity
Melanie McFarland
“Love Hard,” a holiday catfish story masquerading as a romance, is a swipe right and a miss
Melanie McFarland
Between “Curb Your Enthusiasm” and “Succession,” TV presents the fall (and rise) of old white guys
Melanie McFarland
“What We Do in the Shadows” proves the first law of thermodynamics with its refreshing cliffhanger
Melanie McFarland
Netflix’s new Colin Kaepernick series is as ambitious but not quite as successful as its subject
Melanie McFarland
“Love Life” resets the rom-com by presenting a Black man’s perspective on what it’s like “out there”
Melanie McFarland
“Insecure” to the end: Issa Rae’s groundbreaking comedy sails into its final season
Melanie McFarland
Why the latest “What We Do in the Shadows” twist makes sense in The Great Resignation era
Melanie McFarland
From Hasselbeck to McCain, “The View” needs the “right” hook when casting its conservative co-host
Melanie McFarland
“Dune” is the masterful adaptation of Frank Herbert’s epic we’ve been waiting for
Melanie McFarland
“Only Murders in the Building” boss on the killer, who’s back next season and a case for rewatching
Melanie McFarland
“Succession” returns after two years, and the Roy family hasn’t changed a bit
Melanie McFarland
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