Stephanie Zacharek (page 4)
Stephanie Zacharek has been writing regularly for Salon since January 1996 -- almost, but not quite, from its first issue. At that time she was a freelance writer, contributing articles on movies, pop music and books to numerous publications including Rolling Stone, Entertainment Weekly, Interview, the Village Voice and The Boston Phoenix. From 1990 to 1999 she also worked as a fulltime copy editor for Inc. magazine, which at the time was based in Boston. In 1999, she moved to New York and began working for Salon full-time, where she has been ever since. She is a member of the National Society of Film Critics and the New York Film Critics Circle.
"Avatar": Dances with aliens
Stephanie Zacharek
"Nine": Not quite a 10
Stephanie Zacharek
"Crazy Heart": Truck-stop romeo stripped down
Stephanie Zacharek
"The Lovely Bones": Be very afraid
Stephanie Zacharek
Clint Eastwood's "Invictus": Can rugby heal a nation?
Stephanie Zacharek
"A Single Man": Tom Ford's shallow but compelling debut
Stephanie Zacharek
"Everybody's Fine": Dysfunctional for the holidays
Stephanie Zacharek
"Up in the Air": Take the next flight
Stephanie Zacharek
"Brothers": A wartime romance for our turbulent era
Stephanie Zacharek
"The Road": Post-apocalypse now
Stephanie Zacharek
"Ninja Assassin": Sneaky but not subtle
Stephanie Zacharek
Cinematic genius meets teen heartthrob
Stephanie Zacharek
"Bad Lieutenant": So bad it's good
Stephanie Zacharek
Clouds over "New Moon"
Stephanie Zacharek
"Broken Embraces" and the ties that bind
Stephanie Zacharek
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